Tune du Jour: “Somebody’s Gonna Get Their Head Kicked in Tonight” – Fleetwood Mac
THE CLASH of Cover Tunes: The Bishops vs. Steve Conte vs. Telegraph

Everybody’s Dressin’ Funny … Cover Me Impressed!
“If you’re going to kick authority in the teeth, you might as well use two feet.”
Keith Richards
The Original
Fleetwood Mac:
The Most Popular
The Rezillos:
THE CLASH of Cover Tunes
The Bishops vs. Steve Conte vs. Telegraph
The Bishops:
Steve Conte:
Telegraph:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Well, it’s about time. I’ve been waiting over a year for the next song on this blog. I would have thought such a long wait would have merited a song more monumental than this little ditty. But it’s so good to have Dubbsy back that I would have been satisfied with 5 different versions of The Witch Doctor song or Put the Lime in the Coconut.
As for the actual contest here, the original, the most popular and the 3 covers all basically sound like the same thing. The key to a any good 3-chord rock and roll song is usually not the music, but rather the attitude. There’s certainly plenty of that here, as all 5 are pretty good. I’m going with Steve Conte because he was once in the reformed New York Dolls, and he’s the same age as I am. So he’s due a bit of respect.
WELCOME BACK DUBBS!
Dougie, I think you’ll be very happy with the upcoming selections as the next few weeks will be devoted to desert island songs.
I love all three versions (of course I do, I picked them!). A really hard decision. Conte very nearly got my vote for his exuberant guitar licks. But ultimately I gave it to Telegraph solely for the little ska touch that was thoughtfully added.
Yeah. I kinda liked that little ska lick too.
Telegraph kicks heads, asses, bollocks and just about every other body part you can put the boot too! Glad to see ya back Dickie Boy!
I didn’t know this song. The title doesn’t sound like one I’d typically expect of Fleetwood Mac, but I realize they had significant personnel and stylistic changes during their early years.
I voted for Conte because his version conjured images of ’50s era rock ‘n’ roll, while the competitors’ versions sounded punkier. It’s a good song that works either way.
I have a mental image of Conte performing this song dressed like Johnny Depp’s character in “Cry-Baby”.
Oh, and Welcome Back, Dubbs!
Tough call. Great song. I heard this first on Miami public radio mid eighties. It must have been The Rezillos version. I am a fan of early Fleetwood Mac but was astonished to learn this was their song. I had never seen it on an album. It was the b-side of Man Of The World 1969. Anyway, my vote went to The Bishops because I thought they brought the shambolic feral heat with which this song sounds like it should be delivered.
Hey, what’s a Cuspid?
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You missed the version by the Rubber City Rebels