Archive for the ‘Singles Only’ Category

Tune une la Jour: R.E.M.’s “Exhuming McCarthy” by Hubbard’s Cupboard
Tune deux du Jour: Neil Young’s “World On A String” by Nils Lofgren
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Singles Only

And In My Hour of Need, I Truly Am Indeed, Alone Again, Broccoli ...

And In My Hour of Need,
I Truly Am Indeed,
Alone Again, Broccoli …

Singles are cover songs without a mate (or, for CMI’s purposes, an opponent). My dedicated team and I have diligently searched through our impeccable resources and have come to the conclusion that these particular songs were covered only once. Oh, in some instances, we may have found a cover by a pseudo-musician (think Billy Joel or, gulp, an unfortunate equivalent). But we’ll have none of that here at CMI! You may ask, why would a band cover a song so obscure that no other legitimate group is interested in also doing so? Well let me put it this way: How the hell should I know? But I do have a few of these rarities in my database and they too warrant an audience. As such, it is your solemn responsibility to receive them with discerning ears, bright eyes, bated breath and palpable zeal. There’ll be no competition on this day. Rather unabashed reverence, reflection and repose.

Relax…Indulge…Enjoy…Send me $173…

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Exhuming McCarthy – The Original

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R.E.M.’s fifth album, Document, was released in 1987. It included Exhuming McCarthy, a stinging rebuke of Ronald Reagan’s militaristic agenda, unbridled blind nationalism and economic policies that favored corporations and the super wealthy. The song parallels the Reagan Administration’s aggressive and heavy-handed rhetoric with the red-baiting of Joseph McCarthy. An excerpt from the McCarthy hearings can be heard midway through the song.

R.E.M.:

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Exhuming McCarthy – The Cover

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From the R.E.M. tribute album, Reconstructing The Fables, released in 1999 on Throwing Stones Records.

Hubbards Cupboard:

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World On A String – The Original

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World On A String appears on Neil Young’s ragged, yet superlative sixth album, Tonight’s The Night. Coming on the heals of losing a close friend (Bruce Berry) and a beloved band mate (Danny Whitten), both from heroin overdoses within a six month period of each other, Tonight’s The Night was Neil’s dark, emotional expression of grief and loss as well as his disillusionment with fame and commercial success. The album was recorded in 1973, most of which in a single day. Consisting primarily of first-takes, Tonight’s The Night includes mistakes, raw vocals and shifting tempos, all of which work brilliantly with the mournful, sullen tone of the material. Stories conflict as to why, but for whatever reason, Tonight’s The Night was not released until 1975, almost two years after it was recorded.

Neil Young:

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World On A String – The Cover

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Nils Lofgren did his first real acoustic guitar and piano session work in 1970 on Neil Young’s After The Gold Rush album. Neil lent Lofgren his Martin D-18 guitar to use on After The Gold Rush (the same guitar appears on the inside photo of the album leaning against the wall next to Neil). When After The Gold Rush was completed, Neil gave Lofgren the Martin guitar as a gift. Not surprisingly, Lofgren used that Martin guitar on his Neil Young tribute album, The Loner – Nils Sings Neil, which included Lofgren’s cover of World On A String. Lofgren was also a part of Neil’s ensemble of musicians that played on Tonight’s The Night.

Nils Lofgren:

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Tune une la Jour: “Pay No Mind (Snoozer)”  covered by Sonic Youth
Tune deux du Jour: “The Madness of Love” covered by Graham Parker
RELAX, NO CLASH TODAY!
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Singles Only

And In My Hour of Need, I Truly Am Indeed, Alone Again, Broccoli ...

And In My Hour of Need,
I Truly Am Indeed,
Alone Again, Broccoli …

Singles are cover songs without a mate (or, for CMI’s purposes, an opponent). My dedicated team and I have diligently searched through our impeccable resources and have come to the conclusion that these particular songs were covered only once. Oh, in some instances, we may have found a cover by a pseudo-musician (think Billy Joel or, gulp, an unfortunate equivalent) but we’ll have none of that here at CMI! You may ask, why would a band cover a song so obscure that no other legitimate group is interested in also doing so? Well let me put it this way: How the hell should I know? But I do have a few of these rarities in my database and it is now part of your solemn responsibility to listen to them. No competition on this day. Rather unabashed reverence, reflection and repose. Enjoy …

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Pay No Mind (Snoozer)- The Original

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Beck:

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Pay No Mind- The Cover

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Sonic Youth:

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The Madness of Love- The Original

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Richard & Linda Thompson:

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Embassy – The Cover

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Graham Parker:

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Broccoli Fields Forever ...

Broccoli Fields Forever

Singles Only

Singles are cover songs without a mate (a.k.a. opponent). I’ve searched high, low and in between and my research indicates these particular songs were covered once and only once. Why would a band cover a song so obscure that no other band on the planet is interested in also doing so? How the hell should I know? But I do have a few of these rarities and it is now part of your solemn responsibility to listen to them. No competition on this day. Rather unabashed reverence, reflection and repose. Enjoy …

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Learning How to Love You – The Original

Very nice tune hear by John Hiatt. That’s Ry Cooder on guitar and Nick Lowe on bass (and Sawyer and Claire on the beach)

John Hiatt:

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Learning How to Love You -The Cover

Anne Richmond Boston, originally of the cult-favorite Swimming Pool Q’s, knocks out a sweet cover of John Hiatt’s Learning How to Love You.

Anne Richmond Boston:

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Sailors & Soldiers – The Original

Based on my research, Phil Ochs never actually released this song. I could not find a studio or live version by Phil anywhere. If anyone knows of an available version by Phil then please let me know.

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Sailors & Soldiers – The Cover

This cut is from a Phil Ochs tribute disc (“What’s That I Hear: The Songs of Phil Ochs”). Considering a version by Phil does not seem to exist I have no idea how Sid Griffin & Billy Bragg were aware of it or why they would have selected such an obscure number for the tribute disc. Musicians … Who the hell knows what’s up with them?

Sid Griffin & Billy Bragg:

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Broc 4L

Broccoli For Miles And Miles And Miles And Miles And Miles … Oh Yeah!

Singles Only

Singles are cover songs without a mate (a.k.a. opponent). I’ve searched high, low and in between and my research indicates these particular songs were covered once and only once. Why would a band cover a song so obscure that no other band on the planet is interested in also doing so? How the hell should I know? But I do have a few of these rarities and it is now part of your solemn responsibility to listen to them. No competition on this day. Rather unabashed reverence, reflection and repose. Enjoy …

The Original

Phil Ochs:

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The Cover

Kind of Like Spitting:

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The Original

Richard Thompson:

The Cover

The House Band:

Broc 4L

Broccoli For Miles And Miles And Miles And Miles And Miles … Oh Yeah!

Singles Only

Singles are cover songs without a mate (a.k.a. opponent). CMI’s staff of specialists has devoted months, in some cases years, towards uncovering a second cover of these songs but our searches proved have all proved fruitless. Now the question has to be asked: Why would a band cover a song so obscure that no other band on the planet is interested in also doing so? To which I answer: How the hell should I know! But I do have a few of these rarities and it is now your solemn responsibility to listen to them. No competition on this day. Simply unabashed reverence, reflection and repose. Enjoy …

The Original

Stray Cats:

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The Cover

The Rocketz:

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The Original

NRBQ:

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The Cover

Beginning in 1996, Yo La Tengo supported the fundraising efforts of New York’s world-renowned independent radio outlet WFMU with annual studio visits. All listeners who pledged money during the band’s appearances were offered the chance to request a favorite song that Yo La Tengo would then attempt to perform; no rehearsals, no advance word of what the requests might be, just plug it in and kick it out. The spontaneous element is impressive and, at times, hysterical.

Yo La Tengo:

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