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Cover Me Impressed
With a focus on the 60's-90's music scene, CMI is a Paradiso for Lovers Cover Songs! Each post focuses on a particular song and provides its original and most popular recordings as well as covers versions. Patrons of CMI vote on the most deserving cover version, which will then live to compete again, battling other cover songs in a future post.
Bands, musicians, troubadours, and their ilk, submit your cover songs for future CMI competitions.
CMI welcomes the opportunity to introduce new artists.
Contact RDubbs at covermeimpressed@yahoo.com
Music Genres?
We've Got 'em Covered ...
Rock / Alt-Rock / Rock 'n Roll / Rockabilly / Indie Pop / New Wave / Old Wave / Surf / Reggae / Ska / Punk Rock / Psychobilly / Cowpunk / Alt-Country / Bluegrass / Folk / Croon-Tunes / A Cappella / Motown / Gospel / Blues / Rhythm & Blues / Jazz / Big Band / Lounge / Classical / Celtic / Bossa Nova / Worldbeat / Show Tunes / Cartoons / Bizarro / Musical Calamities
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
“Free markets will not prevail without unfettered competition among cover songs.” – Milton Friedbyrd
I’ll Be There was written for the Jackson 5 by Berry Gordy, Hal Davis, Willie Hutch and Bob West. The Jackson 5 recorded it for Motown Records in September 1970. I’ll Be There became the Jackson 5’s fourth #1 hit in a row, making them the first black male group to achieve four consecutive #1 pop hits.
The most successful single ever released by the Jackson 5, I’ll Be There sold 4.2 million copies in the United States, and 6.1 million copies worldwide. It replaced Marvin Gaye’s I Heard It Through the Grapevine as the most successful single released on Motown in the U.S., a record it held until the release of Lionel Richie’s duet with Diana Ross, Endless Love (1981). Outside the U.S., I Heard It Through the Grapevine remained Motown’s biggest selling record with worldwide sales of over seven million copies.
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The Original
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The Jackson 5:
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Another #1 Hit Version
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Mariah Carey & Trey Lorenz:
Mariah Carey included I’ll Be There as a last-minute addition to her MTV Unplugged setlist (1992), after she had been informed that most acts on the show commonly performed at least one cover. Carey’s label, Columbia Records, had not planned to release the unplugged version of I’ll Be There as a single but after receiving large-scale requests they relented. I’ll Be There became Carey’s sixth #1 single in the U.S., and her biggest hit elsewhere at the time.
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THE CLASH of Cover Tunes
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Me First & The Gimme Gimmes vs. The Replacements vs. D.A. Sebasstian
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Me First & The Gimme Gimmes:
Well they do claim to be the greatest cover band in the world…
The Replacements:
From a legendary live and muddled show, which was captured on the very rare album, The Shit Hits the Fans. The fiasco was unprofessionally recorded at The Bowery, in Oklahoma City on November 11, 1984, and provides a representative sample of The Replacements in all their inebriated glory.
D.A. Sebasstian:
Front man for Seattle’s industrial rock band, Kill Switch…Klick, D.A. Sebasstian provided this tune for the cover song compilation album, Teen Feeding Frenzy. Love the fade-out on this gem.
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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
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Disclaimer: Votes cast from Florida may or may not be counted.
Let Me Be Your Ruler, Ruler, You Can Eat My Broccoli, And Baby I’ll Rule, Let Me Live That Fantasy…
As the Academy Awards’ after-parties emphatically confirmed, the most discussed and heatedly debated topic in today’s entertainment industry has got to be, ‘When Will Lorde Debut on Cover Me Impressed?’. Well, my uber-connected friends, I’m afraid you’ll have to conjure up new fodder to ponder over cocktails. Today, Lorde takes the plunge, setting her sights on Bright Little Field’s reigning cover of The Replacements’ Swingin’ Party.
So what took so long for Lorde’s much anticipated entree to CMI? Well it would have come sooner but I got detained. (Sorry, forgot to take out the trash…ba-dum-bum!).
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The Original
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The Replacements:
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THE CLASH of Cover Tunes
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Bright Little Field vs. Lorde
Bright Little Field:
Bright Little Field holds the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Swingin’ Party”. Additionally, Bright Little Field is a recipient of CMI’s universally coveted title of Bi Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold orange!
Bright Little Field’s triumphal exploits in CMI’s THE CLASH of Cover Tunes competitions are detailed below:
1/9/2014 – “Treatment Bound” (The Replacements) – Bright Little Field (100%) shellack Asylum Street Spankers (0%)
10/16/2013 – “Swingin’ Party” (The Replacements) – Bright Little Field (75%) wallop Popland (25%)
And, as if the aforementioned accolades are not enough, Bright Little Field also holds the distinction of being the only ukulele band to do a tribute album to The Replacements!!!
Lorde:
The young upstart’s sullen interpretation:
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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
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Votes can be cast up to three months from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.
An early classic from The Replacements 2nd album, Hootenanny.
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The Original
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The Replacements:
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THE CLASH of Cover Tunes
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Asylum Street Spankers vs. Bright Little Field
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Asylum Street Spankers:
A great band from Austin, Texas. Their unique blend of acoustic blues, early jazz and overall bizarre zaniness make for an outstanding live show. Catch them live or regret it later!
Bright Little Field:
Bright Little Field was formed by Nashville-based ukulele duo Tom Littlefield and Jonathan Bright after the two veteran musicians discovered their shared love for The Replacements. Although both men had done their share of kicking up a racket in their day, they chose a stripped down primal level – ukuleles, pots and pans – to pay homage to The Replacements. The result, Treatment Bound: A Ukulele Tribute to The Replacements, is one of the finer and most creative and enjoyable tribute discs you’ll find. (Mostly lifted from AllMusic)
Bright Little Field is a recipient of CMI’s universally coveted title, Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.
Bright Little Field ‘s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:
10/16/2013 – “Swingin’ Party” (The Replacements) – Bright Little Field (75%) wallop Popland (25%)
Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
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Votes can be cast up to seven days from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.
Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.
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Votes can be cast up to seven days from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.
cover me impressed 