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Cover Me Impressed
With a focus on the 60's-90's music scene, CMI is a Paradiso for Lovers Cover Songs! Each post focuses on a particular song and provides its original and most popular recordings as well as covers versions. Patrons of CMI vote on the most deserving cover version, which will then live to compete again, battling other cover songs in a future post.
Bands, musicians, troubadours, and their ilk, submit your cover songs for future CMI competitions.
CMI welcomes the opportunity to introduce new artists.
Contact RDubbs at covermeimpressed@yahoo.com
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“Green, Green Grass of Home” was written by Claude “Curly” Putman and first recorded in May 1965 by Johnny Darrell. Porter Wagoner wasted no time joining the Green Grass Party, releasing his version in July 1965. Wagoner’s version reached No. 4 on the country chart. By the year 2000 over one hundred other musicians would take a ride on the Green Grass train with none coming close to the popularity of Tom Jones’ release in November 1966, which became a worldwide number 1 hit.
“Green, Green Grass of Home” is one of those songs I hated as a kid. It sounded corny and how could anything my parents enjoyed listening to have any redeeming qualities? Then I grew up. And in the process grew to really appreciate the song. The imagery and ultimate impact of the lyrics are simply fantastic. While I don’t appreciate the musical presentations that many musicians used in their interpretations of “Green, Green Grass of Home” the lyrics are so well-crafted as to make most versions at least palatable.
The Original
Johnny Darrell:
The Most Popular
Tom Jones:
THE CLASH of Cover Tunes
Mike Farris vs. Ted Hawkins vs. John Otway
Mike Farris and the Roseland Rhythm Revue:
Ted Hawkins:
John Otway:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
Sam Cooke wrote A Change Is Gonna Come in December 1963. Cooke’s previous work had been in gospel music and, later, soulful pop songs that were sentimental and, at times, satirical in nature. A Change Is Gonna Come was markedly different from anything Cooke had ever composed before. The song is defiant in nature, emphatic that a change for long-suffering African Americans “is gonna come”. Cooke wrote A Change Is Gonna Come in response to an ugly incident he endured in October 1963. Cooke and his band were touring the south and had reservations at a Holiday Inn in Shreveport, Louisiana. When they arrived they were told that no rooms were available; it was obvious that the hotel had rooms available but was a whites-only establishment, which was the real reason Cooke’s reservations would not be honored. Cooke was furious and let the manager know it. When Cooke drove off in search of another hotel, a police car followed and arrested him for disturbing the peace. Not surprisingly he was traumatized by the overtly racist treatment. Another inspiration in Cooke writing such a blunt song about racial inequality was his admiration for Bob Dylan’s masterpiece, Blowin’ In The Wind, which was released in August 1963. Cooke was captivated by the song’s frank admonishment of racism and was said to be a bit ashamed that a white man was speaking out for the black community while he had yet to make any statement at all. Indeed, Cooke told his producer, J.W. Alexander, that he hoped A Change Is Gonna Come would make his father proud.
Everybody’s Dressin’ Funny … Cover Me Impressed!
Sam Cooke debuted A Change Is Gonna Come on The Tonight Show With Johnny Carson on February 7, 1964. It would be the only time he ever performed the song. The musical accompaniment was complex and its essence foreboding and somewhat frightening. After hearing it on The Tonight Show, Cooke’s friend and protege, Bobby Womack, told him that the song sounded “like death.” Cooke responded, “Man, that’s kind of how it sounds like to me. That’s why I’m never going to play it in public.” Womack clarified his thoughts, that it wasn’t deathly, but rather “spooky,” but Cooke never performed the song again.
A Change Is Gonna Come was released on December 22, 1964. Tragically, under circumstances that to this day are still mysterious, Sam Cooke had been shot and killed on December 11, 1964, at the Hacienda Motel in Los Angeles, California. He was but 33 years of age at the time.
Though only a moderate success in terms of sales, A Change Is Gonna Come is widely recognized as Sam Cooke’s seminal work. Not surprisingly the song became a staple for the country’s rising civil rights movement.
The Original
Sam Cooke:
THE CLASH of Cover Tunes
Billy Bragg vs. Mike Farris & Roseland Rhythm Review vs. The Gits
Billy Bragg:
Mike Farris & Roseland Rhythm Review:
The Gits:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
Sam Cooke wrote A Change Is Gonna Come in December 1963. Cooke’s previous work had been in gospel music and, later, soulful pop songs that were sentimental and, at times, satirical in nature. A Change Is Gonna Come was markedly different from anything Cooke had ever composed before. The song is defiant in nature, emphatic that a change for long-suffering African Americans “is gonna come”. Cooke wrote A Change Is Gonna Come in response to an ugly incident he endured in October 1963. Cooke and his band were touring the south and had reservations at a Holiday Inn in Shreveport, Louisiana. When they arrived they were told that no rooms were available; it was obvious that the hotel had rooms available but was a whites-only establishment, which was the real reason Cooke’s reservations would not be honored. Cooke was furious and let the manager know it. When Cooke drove off in search of another hotel, a police car followed and arrested him for disturbing the peace. Not surprisingly he was traumatized by the overtly racist treatment. Another inspiration in Cooke writing such a blunt song about racial inequality was his admiration for Bob Dylan’s masterpiece, Blowin’ In The Wind, which was released in August 1963. Cooke was captivated by the song’s frank admonishment of racism and was said to be a bit ashamed that a white man was speaking out for the black community while he had yet to make any statement at all. Indeed, Cooke told his producer, J.W. Alexander, that he hoped A Change Is Gonna Come would make his father proud.
Everybody’s Dressin’ Funny … Cover Me Impressed!
Sam Cooke debuted A Change Is Gonna Come on The Tonight Show With Johnny Carson on February 7, 1964. It would be the only time he ever performed the song. The musical accompaniment was complex and its essence foreboding and somewhat frightening. After hearing it on The Tonight Show, Cooke’s friend and protege, Bobby Womack, told him that the song sounded “like death.” Cooke responded, “Man, that’s kind of how it sounds like to me. That’s why I’m never going to play it in public.” Womack clarified his thoughts, that it wasn’t deathly, but rather “spooky,” but Cooke never performed the song again.
A Change Is Gonna Come was released on December 22, 1964. Tragically, under circumstances that to this day are still mysterious, Sam Cooke had been shot and killed on December 11, 1964, at the Hacienda Motel in Los Angeles, California. He was but 33 years of age at the time.
Though only a moderate success in terms of sales, A Change Is Gonna Come is widely recognized as Sam Cooke’s seminal work. Not surprisingly the song became a staple for the country’s rising civil rights movement.
The Original
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Sam Cooke:
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THE CLASH of Cover Tunes
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Billy Bragg vs. Mike Farris
I suppose it’s “been a long time coming” but this is a momentous first on Cover Me Impressed. Two Melodious Maximi squaring off against each other!!! May the Best Maximus Win…
Billy Bragg:
Billy Bragg is a recipient of CMI’s universally coveted title of Bi Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold orange!
Billy Bragg’s triumphal exploits in CMI’s THE CLASH of Cover Tunes competitions are detailed below:
12/26/2014 – “Fairytale of New York” (The Pogues) – Billy Bragg with Florence + the Machine (75%) thump Third Eye Blind (25%)
11/18/2013 – “Which Side Are You On?” (Almanac Singers) – Billy Bragg (57%)bests Dropkick Murphys (43%)
Mike Farris:
Mike Farris is a recipient of CMI’s universally coveted title of Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold gold!
Mike Farris’ triumph in CMI’s THE CLASH of Cover Tunes competition is detailed below:
1/11/2014 – “Will the Circle Be Unbroken” (The Carter Family) – Mike Farris & The Roseland Rhythm Revue featuring the McCrary Sisters (86%)humiliateKen Parker (14%)
I eschewed Farris’ studio version of A Change Is Gonna Come for this stompin’ live rendition with The Roseland Rhythm Revue:
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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
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Votes can be cast up to three months from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.
Will the Circle Be Unbroken? is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song pertains to loved ones now departed and the hopeful reunion with them in an afterlife. It is generally played to be uplifting to the congregation, and is a frequent standard in gospel revivals. Will the Circle Be Unbroken? was first recorded in 1912 by William McEwan.
In 1935, A.P. Carter, founder of “The Carter Family”, revised and added to the lyrics of Will the Circle Be Unbroken?, reworking it into a song concerning the death, funeral, and mourning of the narrator’s mother. Carter named his revised version Can the Circle Be Unbroken?. As others later covered his song, Carter’s revised version subsequently became most often referred to by its original name, Will the Circle Be Unbroken?. The version of the song most often played today is Carter’s but under the title of Will the Circle Be Unbroken?.
The Original
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The Carter Family:
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THE CLASH of Cover Tunes
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Mike Farris vs. Ken Parker
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Mike Farris & The Roseland Rhythm Revue featuring the McCrary Sisters:
Ken Parker:
Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
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Votes can be cast up to seven days from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.
cover me impressed 