Posts Tagged ‘ABBA’

Tune du Jour: “Dancing Queen” – ABBA
THE CLASH of Cover Tunes: Belle & Sebastian vs. Milo Binder vs. Garageland
VOTE, COMMENT, then TAKE OUT THE TRASH
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And In My Hour of Need, I Truly Am Indeed, Alone Again, Broccoli ...

And In My Hour of Need,
I Truly Am Indeed,
Alone Again, Broccoli …

Dancing Queen was released by ABBA in August 1976. It is commonly referred to as one of the most successful singles of the 1970s. Dancing Queen became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA’s native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, West Germany, the United Kingdom, Ireland, Mexico,the Netherlands, New Zealand, Norway (where it charted for 32 weeks), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. Dancing Queen also topped the charts in the United States, ABBA’s only #1 on the Billboard Hot 100 and was a Top 5 hit in Austria, Canada, Finland, France and Switzerland. The song sold over three million copies. And yet, it is still remarkably atrocious. Or, to put it more technically, it is unequivocally an “auditive malady”.

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The Original

ABBA:

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THE CLASH of Cover Tunes

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As alluded to above, despite the substantial acclaim achieved and accolades bestowed upon it, this is truly an abysmal song, the quintessential auditive malady. The 1970s probably produced the worst body of music in the last century and very possibly the entire history of the planet. And Dancing Queen certainly is exemplary in epitomizing all that was wrong with the 70s music scene; perfectly straight pearly white teeth centering witless, blissful, smiley faced “musicians” donning polyester, pastel leisure suits while assaulting the listening public with insipid lyrics that convey vapid bubble-gum bromides, which were required for the era’s pretentious dance gyrations and subsequent vacuous mating rituals. Songs of this era are easily mocked and lampooned.

Yet, despite covering a dead-weight anchor of a song, the offerings below are quite frankly brilliant, in that they manage to make this disaster (aka Dancing Queen)  actually tolerable! Skeptical, are you? Well, bang on …

Belle & Sebastian vs. Milo Binder vs. Garageland
Belle & Sebastian:

Milo Binder:

Garageland:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

A Tribute to David Bowie (1947 – 2016)
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Oh Look Out You Rock ‘n’ Rollers, Pretty Soon You’re Gonna Get Older…

What could you say? Last night we lost an icon, innovator, genius. David Bowie will surely be long remembered as one of the most talented, creative and bizarre musicians of our lifetime!

Enjoy a bevy of tributes to David Bowie. The styles and genres of these cover songs are as diverse as the man himself.

Absolute Beginners

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Carla Bruni:

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Ashes to Ashes

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Paul Dempsey:

Hezekiah Jones:

Happy Rhodes:

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All the Young Dudes

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Billy Bragg & Jill Sobule:

World Party:

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Changes

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Echo and the Bunnymen with Sharleen Spiteri:

The Illinois State University’s Clef Hangers:

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Heroes

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Magnetic Fields:

The Coal Porters:

Nico:

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It Ain’t Easy

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Hazel:

Kelly Hogan & Robbie Fulks:

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Jean Genie

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Camp Freddy:

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Kooks

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Brett Smiley:

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Life on Mars

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Robyn Hitchcock:

Ukulele Orchestra of Great Britain:

And of course it would not be a proper tribute without … ABBA!!!:

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Moonage Daydream

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J. Hell:

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Oh You Pretty Things

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Jun Jun Clinic:

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Rebel Rebel

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Iggy Pop & Lenny Kravitz:

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Sound and Vision

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Beck:

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Space Oddity

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Real-Life Astronaut, Commander Chris Hadfield:

(Shatner cannot be happy over this infringement of his territory!)

John Otway:

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Starman

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of Montreal:

Arcadian Walnut:

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Under Pressure

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Flaming Lips:

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Watch that Man

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The Fur Ones:

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Ziggy Stardust

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Def Leppard:

Massacre:

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A Late Addition

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“Life on Mars” happens to be one of my favorite Bowie songs. So when I saw this interesting rendition, I just had to add it to the tribute. Reminds me of the classic Procol Harem church scene in “The Commitments”.

By the way, if anyone has a favorite Bowie cover that is not included then please let me know. If possible I will add it.
Nicholas Freestone (organ scholar at St Albans Cathedral in Hertfordshire):

The Commitments: Jimmy Rabbitte (Robert Arkins) and Steven ‘Soul Surgeon’ Clifford (Michael Ahern):

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Another Late Addition

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This next video is proof-positive of just how cool David Bowie was. From The Cher Show, Bowie and Cher begin a set collaborating on Young Americans, which is weird enough. But things turn completely bizarre as Young Americans morphs into a very long medley of bad songs. Bowie had to be suppressing laughter throughout yet on the exterior appears way-cool to the nth degree. Now I ask you, how many musicians could have pulled this off without looking completely ridiculous?

David Bowie on The Cher Show (November 23rd 1975):

 

Tune du Jour: “Dancing Queen” – ABBA
THE CLASH of Cover Tunes: Milo Binder vs. Glow
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
CoverMeImpressed.com     CoverMeImpressed.com     CoverMeImpressed.com

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And In My Hour of Need, I Truly Am Indeed, Alone Again, Broccoli ...

And In My Hour of Need,
I Truly Am Indeed,
Alone Again, Broccoli …

Dancing Queen was released by ABBA in August 1976. It is commonly referred to as one of the most successful singles of the 1970s. Dancing Queen became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA’s native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, West Germany, the United Kingdom, Ireland, Mexico,the Netherlands, New Zealand, Norway (where it charted for 32 weeks), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. Dancing Queen also topped the charts in the United States, ABBA’s only #1 on the Billboard Hot 100 and was a Top 5 hit in Austria, Canada, Finland, France and Switzerland. The song sold over three million copies. And yet, it is still remarkably atrocious. Or, to put it more technically, it is unequivocally an “auditive malady”.

space

The Original

space (space)

ABBA:

space (space)

THE CLASH of Cover Tunes

space (space)

As alluded to above, despite the substantial acclaim achieved and accolades bestowed upon it, this is truly an abysmal song, the quintessential auditive malady. The 1970s probably produced the worst body of music in the last century and very possibly the entire history of the planet. And Dancing Queen certainly is exemplary in epitomizing all that was wrong with the 70s music scene; perfectly straight pearly white teeth centering witless, blissful, smiley faced “musicians” donning polyester, pastel leisure suits while assaulting the listening public with insipid lyrics that convey vapid bubble-gum bromides, which were required for the era’s pretentious dance gyrations and subsequent vacuous mating rituals. Songs of this era are easily mocked and lampooned.

Yet, despite covering a dead-weight anchor of a song, the offerings below are quite frankly brilliant, in that they manage to make this disaster (aka Dancing Queen)  actually enjoyable and, particularly in the case of Milo Binder, sound poignant! Skeptical, are you? Well, bang on …

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Milo Binder vs. Glow
Milo Binder:

Milo Binder holds the distinction of being CMI’s Reigning Exultant Virtuosic Performer of Dancing Queen. Additionally, Milo Binder is a recipient of CMI’s universally coveted title of Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow!

Milo Binder’s triumph in CMI’s THE CLASH of Cover Tunes competition is detailed below:

1/3/2014 – “Dancing Queen” (ABBA) – Milo Binder  (84%) thumps Robbie Fulks (16%)

Glow:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Dancing Queen” – ABBA
THE CLASH of Cover Tunes: Milo Binder vs. Robbie Fulks
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
CoverMeImpressed.com     CoverMeImpressed.com     CoverMeImpressed.com

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Broccoli Fields Forever ...

Broccoli Fields Forever …

Dancing Queen was released by ABBA in August 1976. It is commonly referred to as one of the most successful singles of the 1970s. Dancing Queen became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA’s native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, West Germany, the United Kingdom, Ireland, Mexico,the Netherlands, New Zealand, Norway (where it charted for 32 weeks), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. Dancing Queen also topped the charts in the United States, ABBA’s only #1 on the Billboard Hot 100 and was a Top 5 hit in Austria, Canada, Finland, France and Switzerland. The song sold over three million copies.

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The Original

space

ABBA:

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THE CLASH of Cover Tunes

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Despite the substantial accolades described above this is truly an awful song. The 1970s probably produced the worst body of music in the last century and very possibly the entire history of the planet. And Dancing Queen certainly is exemplary in epitomizing all that was wrong with the 70s music scene; perfectly straight pearly white teeth centering witless, blissful, smiley faced “musicians” donning polyester, pastel leisure suits while assaulting the listening public with insipid lyrics that convey vapid bubble-gum bromides, which were required for the era’s pretentious dance gyrations and subsequent vacuous mating rituals.

Songs of this era are easily mocked and lampooned. Yet, the offerings below are unique and, quite frankly brilliant, in that they manage to make this disaster of a song (i.e. Dancing Queen) sound poignant and as far-fetched as it may seem, even enjoyable! Skeptical, are you? Well, bang on …

Milo Binder vs. Robbie Fulks

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Milo Binder:

Robbie Fulks:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.